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Showing posts with label 1974. Show all posts
Showing posts with label 1974. Show all posts

Friday, November 20, 2009

Dawn Ostroff
Great entertainment career advice alert!

This past summer, the Penn Women's council hosted a "career mentoring" event in Los Angeles featuring "winning woman" CW Entertainment President (and Penn parent) Dawn Ostroff.

The event was for recent female graduates as well as female juniors and senior undergrads.  ...And yes, I attended it so I could bring it all to you, my DT readers!

UPenn Winning WomenAs you'll see in the DT exclusive videos below, Dawn is another example of having a great career path filled with lots of changes and rich experiences. 

Listen to her journey in our videos after the jump! 




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Posted by Matt | 10:16 AM | , , , , , , , , | 0 comments »

Tuesday, June 23, 2009

UPenn in Cannes
All last week, I posted about Brian Tran's (W'10) inside scoop of his time at the Penn in Cannes Program.

 As our final "Cannes" post, Julie Blanc (W'12), another one of my great DT correspondents fills us in on advice given this year from Penn alumni:

-Rick Hess (C'84, Head of Creative Artist Agency’s Film Finance Group)
-Geoffrey Gilmore (C'74, Director of Tribeca Film Festival)
-and Penn parent Jeff Berg (Chairman, CEO of ICM)


Click HERE to read on about their advice including:
  • what the key is to succeeding in this business
  • what the entertainment industry is looking for in its next generation of employees
  • why now is a great time to break into the film business


"Imagine a workday where meetings start at 8 a.m. Within a few hours, you have spoken with representatives from just about every continent. Every evening dressed in black tie attire, you attend two to three film screenings, and finish negotiations at 4 a.m. Wake up in four hours and be ready to do it again-for two weeks straight, all the while being in the beautiful South of France. That is what the Cannes Film Festival is like for those involved on the business side, like Chairman and Chief Executive Officer of International Creative Management Jeff Berg. On the surface, this international gathering at the Côte d'Azur offers a chance to bask in the sun, relax on yachts, see beautiful people, and watch groundbreaking films. The serenity of this beach city is just a mirage-for those on the inside of the industry it is non-stop hustle and bustle. The schedule is grueling for these twelve days because Cannes is at the epicenter of the entertainment world. This is one of the only times annually that everyone congregates in one spot, so all of the companies need to maximize each day to meet their goals.

One of the personal highlights of the Penn-in-Cannes program for me was the opportunity to meet with prominent figures of the entertainment industry connected to Penn. All self made success stories Jeff Berg, Geoff Gilmore (C'74), and Rick Hess (C'84) offered advice on the current state of the industry as reflected by the film festival, opportunities for change, and how we as Penn students can get our foot into the door of this exciting industry.

Jeff BergOur first meeting was with Jeff Berg; his expertise in his field was immediately evident for he had such a prevailing presence. He emphasized how the Cannes Film Festival is unique- it is truly the most important international film gathering for marketing, financial, business, and creative people. His description of his jam-packed schedule said it all-I was out of breath just after hearing it! Unfortunately, the global financial crisis has also hit the entertainment industry hard as fewer companies sent representatives to Cannes this year and several top banks have closed their doors to media lending. The world of film is interconnected, and he showed how important it is to “make money for your partners”-relationships are fundamental to this business. We were so fortunate to get the chance to speak with Mr. Berg during two of the busiest weeks of his profession. Eyes of the students lit up when he mentioned what the industry is looking for in the next generation of employees: individuals with an understanding of old media with new media skills. Media aficionados-take notes.

Geoffrey GilmoreOur second meeting was with Penn alum Mr. Geoff Gilmore (C'74), former director of the Sundance Film Festival and current director of the Tribeca Film Festival. He discussed the effect of film festivals on the independent film industry from a creative and economic standpoint. The film market place is officially saturated as too many films have been produced in the past few years-everyone wants their shot at becoming a recognized filmmaker. This only makes it harder for films to succeed and make a splash. However, recently, another factor has come into the equation: the changing nature of media. Mr. Gilmore pointed out that the new generation watches film or television mostly on computers. Youtube and Google are becoming platforms for anyone in the world to publish a film. Mr. Gilmore asked the question facing everyone in broadcasting today, how do we capitalize on the Internet, the so-called “promised land”?  Mr. Gilmore was very blunt and honest about the business. It was important to hear his realistic perspective, because even though things may be broken right now, it is actually a great time to break into the business and make a change.

Rick HessPenn alum Rick Hess (C'84) confirmed that this truly is a business of passion. His enthusiasm and love of movies shined through his upbeat voice and demeanor. There is no one set formula to getting an “in” to entertainment- every path is distinctive. His entrepreneurial spirit was evident, as he has had his hand in producing and is now the new head of Creative Artist Agency’s Film Finance Group. While at Penn, he read all of the materials Van Pelt had to offer on the history of the movie business and encouraged us to do the same. Our excitement for the industry needs to be consistent with our desire to learn about it. He told us to never accept “no” and to persevere. Meeting these three men with multifaceted careers and impressive resumes in entertainment demonstrated the diversity of opportunities this industry has to offer. Jeff Berg, Geoff Gilmore, and Rick Hess have successfully mastered the balance between extensive knowledge in art and culture with business savvy. These Penn alum made it happen-now go out and make your mark."


+ Read what advice these 3 above gave to Penn undergrads LAST YEAR!
+ All DT 2009 Penn in Cannes posts
+ All DT 2008 Penn in Cannes posts
+ More advice from Penn alumni in the biz from the 2008 Penn in Pictures (VIDEOS!)



UPennUPenn




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Posted by Matt | 11:49 AM | , , , , , , , , | 0 comments »

Friday, February 27, 2009


UPenn

Some good Penn alumni Hollywood news in my roundup this week:

  • Big Wig makes big job change
  • Mogul announces new TV show
  • Chairman debuts new channel
  • TV and Film Producer with 2 new films in the work with big name attached
  • Actress appears in Oscar nominated film and is now on Broadway
  • Actress with new DVD out
Click here for the scoopage





Per Cynthia’s Cynopsis, after 19 years with the Sundance Film Festival (he’s been the Director most recently), Geoffrey Gilmore (C'74, Penn in Pictures 2002 panelist) just changed jobs and joined New York-based Tribeca Enterprises as CCO where "he will lead the company's international content strategy, development efforts and brand expansion. Geoffrey will also be a part of Tribeca's Board of Directors."

More of my posts about Geoffrey here










Rich Ross

Rich Ross (C’83, Penn in Pictures 2003 panelist) announces a new Disney channel for boys.

More of my posts about Rich here
















Mark Cronin

Mark Cronin (ENG ’86) picks Ricki Lake as headmistress of the next installment of “Charm School 3”.

Mark's beginnings in showbiz

More posts about Mark's abundance of reality shows here!














Mike Karz (C’89, W'89) will produce the film Valentine’s Day: “a love story which revolves around five relationships in Los Angeles, all of which are put through the paces over the course of one Valentine's Day.

Mike will also be producing the romantic comedy “Five Killers” starring Katherine Heigl. Per Screamingdemon, “Story kicks off when a woman meets the man of her dreams while on vacation. Married bliss is turned upside down when they discover that their neighbors may be assassins hired to kill them.”

Past posts about Mike's film projects here

More of my Penn "Film Producer" posts here











Kate Jennings Grant (C’92, Counterparts) plays Diane Sawyer in the Oscar Nominated film Frost/Nixon.


Kate Jennings Grant and UPenn






She is also now starring as Sarah Brown in the Guys and Dolls revival on Broadway with Lauren Graham.

Look for more about Kate on DT in the near future!

More of my Penn alumni actor posts here















UPenn

Liz Banks' (C’96) W is now out on DVD

More of my scintillating Liz posts here

More of my Penn alumni actor posts here












Past Hollywood Bits and Pieces posts here

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Posted by Matt | 11:54 AM | , , , , , , , , , , , , , , , , | 0 comments »

Thursday, June 19, 2008

So far this week Felisha Liu (W'09) shared some of the good, bad and disappointing films she saw at Cannes, and how she managed to score tickets to films through the art of begging.

Today, she tells us about the 2 Penn alumni and 1 Penn parent Hollywood power players she met in Cannes!

Click here to find out who they are and the inside advice they dished out!

Check back to find out from Felisha what it's like to get caught up in the frenzy of Cannes.


Read Part 1: Penn in Cannes: The Good, The Bad, and The Disappointing
Read Part 2: Penn in Cannes: Begging and Tips For Scoring You Tickets & Access



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Per Felisha:
"Penn Alumni are everywhere, including in all facets of the entertainment industry.

Through the Penn in Cannes program we had the privilege of meeting 2 successful Hollywood Penn alumni and 1 accomplished Penn parent in Cannes.



Rick Hess (C'84): Head of Creative Artists Agency Film Finance Group

Rick Hess (C'84) visited the class at the College International dormitory, and was happily surprised to remember that he had stayed in the same dorm decades earlier.

Despite his role as the head of Creative Artists Agency Film Finance Group, Rick Hess has never lost his charming personality and developed quick rapport with the class. The names he dropped during the lecture were A-listers such as Will Smith and George Clooney. It was exciting to hear insider stories about the celebrities at the Festival and made the experience more personal.

Rick explained Jada Pinkett Smith’s directorial debut in The Human Contract and the promotion that went behind promoting the movie. Will Smith flew in from the States to host the premiere party and shake hands with every distribution contact he could find. According to Rick, most stars do not work as hard and aren’t as passionate to their projects. But Will Smith has the magic touch and everything he is associated with turns into success. His recent film, The Pursuit of Happyness (2006), grossed over $300 million in worldwide sales. Much of the success is due to Will’s charisma and the public’s willingness to support his career.



Geoffrey Gilmore (C'74) Director of the Sundance Film Festival

Geoffrey Gilmore (C'74, Penn in Pictures 2002 panelist), Director of the Sundance Film Festival, also came to the College International to talk about his role in shaping the second most important film festival in the world.

More so than in Cannes, the Sundance Film Festival is all about the acquisition of films. The international community convenes at the festival to conduct business on distribution rights. Oftentimes a film is parceled off into different regions and distribution rights can be held by various countries in different regions. The United States is the hardest region to enter because of the monopolization of Hollywood offerings. It is very hard for international cinema to infiltrate U.S. theaters, other than at Indie theaters.

The production of independent and mainstream films is handled very differently. Great writing drives independent films and the content is of utmost importance for a movie’s success. As a result, the product is often more creative and groundbreaking. In contrast, mainstream films are driven by market demands. There tends to be a template for blockbusters that Hollywood follows which can seem repetitive and overdone. But since the formula works at the box office, Hollywood is hesitant to stray from the tested model.

Without a doubt, Indie films are more creative. But oftentimes, they expect too much out of the audience. Movies are a great way to relax and forget about the stresses of the week. For the American public, it is much more pleasing to shut out stresses and just enjoy the movie. The film may not be amazing, but the common moviegoer isn’t looking for the next new thing. They like familiarity and comfort, as opposed to leaving the theater confused.

I agree that Indie films have stronger character and better messages, but perhaps only the true film enthusiasts can appreciate the work. Perhaps expecting the common audience to figure out gaps in plot and to wade through artistic license is too much to ask. International films face detachment from the American audience. Subtitles and dubbing are a huge deterrent to wide American distribution. People say Americans are lazy, and when it comes to wading through 2 hours of subtitles, I wholeheartedly agree. Unless English is spoken on screen, international films face huge hurdles in American theaters.



Jeff Berg (Penn Parent): Chairman, CEO of ICM

While waiting in the hallway outside of Jeff Berg’s (Penn parent) hotel suite at the illustrious Carlton Hotel, I began to realize how important this man was. His staff greeted us inside of the classy suite and we piled around the living room with its huge bay-window view of the Mediterranean Sea. Jeff, Chairman & CEO of International Creative Management agency (ICM), explained the dichotomy of the Festival de Cannes...

The more visible parts of the event are the red carpet premieres, movie stars, and hundreds of screenings. But the important people in the industry are working feverishly in meeting rooms throughout the French Riviera, broking multi-million dollar deals. They take advantage of Cannes as an international gathering place, using the Festival as a platform for everyone in the global industry to assemble together and conduct meetings on distribution rights.


...As I am learning more about the business of film, I am considering career opportunities making use of my business background. There is no business like show business, and I would surely like to be a part of it in the future."


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Posted by Matt | 9:51 AM | , , , , , , , , , , | 0 comments »

Monday, March 31, 2008


(l to r): John Lilley, Rob Hyman (C'72), Eric Bazilian (C'75), Fran Smith, Jr. and Dave Uosikkinen

Music MondaysWhat happens when a group of undergrads get together to form a band and they’re still together touring the world over 30 years later?!

Ask Eric Bazilian (C’75, Penn Singers, Mask and Wig), Rob Hyman (C’72), and Rick Chertoff (C’72) who are currently touring the world with their band The Hooters.

Over the past 30 years, some notable achievements of theirs include:
  • Rob and Eric writing and playing on Cyndi Lauper’s debut album "She’s So Unusual".
  • Rob and Cyndi co-writing the hit song "Time After Time".
  • Eric and Rob contributing much of the material and instrumentation for the debut album "Relish" for Joan Osborne. Eric's masterfully penned "One Of Us", shot up the charts.
I recently chatted with Eric about his beginnings and he told me he had already been in several bands by the time he got to Penn. However, he worked with the Penn Singers initially as band leader and director under Bruce Montgomery and liked it so much he started singing with them.

More here about Eric’s beginnings at Penn...+/-

Per Eric,
“I got involved with “Uncle Benny's Summer Camp” (also known simply as "The Cabaret" --also featuring Doris Cochran-Fikes (C'72) currently known for being involved in Penn’s Alumni Relations, and now Admissions) also as bandleader and musical director through Todd Feinberg (C'74) who was already in the group as a performer. I joined Mask & Wig spring semester senior year as bass player because I didn't have anything to do over spring break and Florida seemed like a good idea.

Outside of Penn groups, during Eric’s freshman year he played in a band called “Wax” with Rob and Rick and had a band called “Cyclic Blowfield And His Funky Calypsos” (together with Bob Goldman, C’74) which played numerous times at Houston Hall, in the Quad at Spring Fling, various frat houses and many more gigs.”
Recently The Hooters were featured on NY’s WPIX news and introduced by Penn alum entertainment reporter Emily Frances.

Click here to watch their WPIX performance of their catchy hit “I’m Alive”

Get their new album, "Time Stand Still" here

Visit the Hooters website and myspace page here

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Posted by Matt | 10:35 AM | , , , , , , , , , , , , , | 0 comments »

Tuesday, November 20, 2007

Which Penn alum just made a big announcement on Monday regarding the Sundance Film Festival?

Click here to find out!

Geoffrey Gilmore (C'74), Sundance fest director just announced that the film, In Bruges will open the 2008 Sundance Film Festival on January 17. Per Variety, "The film stars Colin Farrell and Brendan Gleeson as two hit men forced to take a vacation in Bruges, Belgium."

“In many ways ‘In Bruges’ is a quintessential Sundance film -- it’s brutal, philosophical, funny and totally original,” said Gilmore.

FYI, Geoff was a participant in the 2002 Los Angeles Penn in Pictures Panel (featured in photo above) held at Arclight Cinemas. Other panelists included moderator Lew Schneider (C'83, Friars, Everybody Loves Raymond writer), Cary Phillips (CIS '91, Principal Engineer at Industrial Light and Magic) and Josh Goldsmith (C'92, King of Queens writer).

Click here to check out more Penn in Pictures photos!

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